Archive for the ‘1980′s Baby Movies’ Category

For Keeps

Saturday, February 28th, 2009
Movies Online

For Keeps where shall I start. For Keeps is one of those 80′s movies that would fit perfect on The Lifetime Network. Molly Ringwald stars as Darci Elliot and Randall Batinkoff stars as Stan Bobrutz (intentional hard to spell and pronoucne name, it is the butt of several jokes in the film). The two high school sweethearts are sent fast forward into adult hood when Darci becomes pregnant.

They struggle to stay together. I think this film is great because it shows young people just how hard things can be when you introduce a baby into the picture. It is not one of those happily ever after stories, Stan and Darci go through some real hard times.

The movie itself takes a real awkward turn towards the end with Darci pushing Stan to pursue his dreams without his knowledge, but the movie will entertain those in 6th grade and up. Its a bit pricey but it is good for educational use and for the 80′s fan building their collection.

Look Who’s Talking

Saturday, February 28th, 2009
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This movie is a classic! Mollie (Kirstie Alley) accidentally becomes pregnant by the wrong man. Seeing that a relationship with the real father just won’t work out, she goes on a search to find a suitable father for her new son, Mikey. While she’s going out searching for the right one, her babysitter, James (John Travolta), has the time of his life watching over Mikey. Could James possibly be more than a babysitter, or is there a better man?

That’s one of the best things about “Look Who’s Talking”. Kirstie Alley and John Travolta have great chemistry together, and they, along with the baby, make this movie a classic that I’ll never forget. The movie takes turns following Mollie around as she meets a bunch of Mr. Wrongs while she tries to find Mr. Right, and Mikey, who has Bruce Willis telling us all what Mikey’s thinking throughout the movie.

“Look Who’s Talking” has several parts that you’ll probably remember for the rest of your life once you see them, such as the opening sequence that shows hundreds of creatures inside the body talking to each other as they race for the endzone, and my favorite, the part where the song “Walking on Sunshine” plays as James shows Mikey how to dance.

That brings me to another point. “Look Who’s Talking” has a GREAT soundtrack. From the upbeat “Walking on Sunshine”, to the overly catchy “Let My Love Open the Door”, you might find yourself jamming along to some of the tunes while both hemispheres of your brain work together to form your overall opinion of the movie itself.

If you ask me, I say that “Look Who’s Talking” is one of the best movies of the late 80′s, and I’d even go so far as saying it’s one of the best in its genre. It’s funny, it has good drama and acting, and it’s entertaining from start to finish. What more can you ask for? Get it now!

Cast

  • John Travolta …. James Ubriacco
  • Kirstie Alley …. Mollie Jensen
  • Olympia Dukakis …. Rosie
  • George Segal …. Albert
  • Abe Vigoda …. Grandpa
  • Bruce Willis …. Michael “Mikey” (voice)
  • Twink Caplan …. Rona

She’s Having a Baby

Saturday, February 28th, 2009
Movies Online

This is one of those movies that is a collection of both wonderful and lousy elements, but the good ultimately overwhelms the bad. The basic story of a young married couple is a heartfelt winner with laughs and real-life truth aplenty. The chemistry between Jake (Kevin Bacon) and Kristi (Elizabeth McGovern) is amazing, and the terrific soundtrack adds to the movie at every turn.

Unfortunately, the writing is uneven and often clumsy. Throughout the movie, Jake is confused about what he wants out of life, yet the viewer is left confused, too. Jake’s longing for “something else” in life is left so undefined that the viewer can’t really relate to his angst. Jake’s narration continually refers to life “closing in on him” and such, yet it appears things are going fairly well for him, so why the heartburn? One keeps waiting for a big scene where Jake is finally able to enunciate what his problem is, but it never happens.

The worst element of the film by far is the character of Davis (Alec Baldwin), Jake’s best friend from high school. Jake is immature, but basically a nice guy. But Davis is portrayed as such an unredeemable jerk (Baldwin basically just had to be himself here) that it is nearly impossible to ever see how these two could have ever stood to be around each other, much less have the brother-like relationship it is claimed they have. He shows up in three scenes, and he’s a bigger jerk each time. During his third scene, he convinces Kristi to give him a “goodnight kiss” (totally unbelievable), only to be rebuffed when he tries to take things further. After spurning his advances, Kristi informs him that she won’t tell Jake about the matter because “you have your good points.” Really? Which ones?

While the film is highly cynical toward marriage and family in many ways — bickering parents, prying parents-in-law, squaresville suburbs inhabited by men obsessed with their lawn mowers, etc. — it in the end affirms the marital relationship by showing its redeeming power in the lives of Kristi and Jake. Funny, poignant, and well-acted, this movie will stay with you for years after viewing it.

Unlike romantic comedies that show how a couple formed then leaves you there in the puppy-love bliss uncertain of how things turn out long-term, this movie explores what happens after the lifetime vows are made. When it’s over, there is no doubt in the viewer’s mind that this is a union which will stand the test of time. In this day and age, that is something worth cheering for.

Cast

  • Kevin Bacon – Jefferson ‘Jake’ Edward Briggs
  • Elizabeth McGovern – Kristen ‘Kristy’ Briggs
  • Alec Baldwin – Davis McDonald
  • William Windom – Russ Bainbridge
  • Holland Taylor – Sarah Briggs
  • Cathryn Damon – Gayle Bainbridge
  • John Ashton – Ken

Parenthood

Saturday, February 28th, 2009
Movies Online

This has always been a favorite movie of mine, though I can’t point to a particular reason why. It’s a star-studded “sleeper” film, a quiet film, filled with hilarious comedy and family dysfunction. Frank Buckman (the fantastic Jason Robards) and Marilyn Buckman (Eileen Ryan, mother to Sean and Chris Penn) are the patriarch and matriarch of the Buckman clan. They have four adult children; Gil Buckman (Steve Martin), Helen Buckman-Lampkin (amazing Diane Wiest), Susan Buckman-Huffner (Harley Jane Kozak) and youngest Larry Buckman (Tom Hulce). Living with Frank and Marilyn is Grandma (my favorite character, played by Helen Shaw).

Gil is married to Karen (Mary Steenburgen) and they have three children, Kevin, Taylor, and Justin. Kevin has emotional problems and the school wants to put him in special ed. Justin, only three, likes to butt things with his head. Gil is an uptight businessman who thinks his father was a bad father and worries that Kevin is just like him.

Helen Buckman is divorced with two children, teenager Julie (Martha Plimpton) and young Gary (a very young Joaquin Phoenix). Julie is in love with Tod (a young Keanu Reeves) whom Helen disapproves of, and Gary is withdrawn, always walking around with a paper bag. Their father has started a new life and is totally uninvolved with the family.

Susan Buckman-Huffner is married to Nathan Huffner (the great Rick Moranis), and they have one daughter, three year old Patti. Nathan is raising Patti as a genius daughter, educating her in math, foreign language, great literature, etc. Susan once agreed with Nathan on how to raise children, but she worries that Patti isn’t socialized and also wants another baby.

Larry Buckman, the youngest, is an addicted gambler. He’s always got get-rich-quick schemes running, but passes himself off to his father as a real go-getter. He arrives home and to the surprise of everyone brings a young child with him, named Cool, which he just found out was his son only a few months ago. But Larry has stepped over the line and has loan sharks chasing him, threatening to kill him if he doesn’t come up with their money.

From the very beginning of the movie the family dysfunction is obvious. Each family has their own problems they have to deal with. It’s the realistic problems and the realistic way they are dealt with that makes the movie interesting. The acting is superb, and director Ron Howard does a perfect job. This quiet, character-driven comedy is nonetheless a roller coaster ride of emotion that never slows down. Though not action or adventure, it manages to be a riveting film that captures your attention and holds onto it. Throughout it all, the entire family manages to maintain their love for everyone, and the movie culminates in a rather sappy but appropriate ending.

Baby Boom

Saturday, February 28th, 2009
Movies Online

Diane Keaton shines in this wonderful comedy about a working woman who inherits a baby from a cousin she “hasn’t seen since 1954.” Keaton portrays J.C. Wiatt, a Management Consultant who never stops working. Then she finds out that her cousin, in his will, left her his baby daughter Elizabeth (played by Michelle and Christine Kennedy, who are too cute!) to care for. At first, J.C. does not want to have anything to do with having a baby. She’s too wrapped up in work. The turning point to me is when Elizabeth gets sick and J.C. has to care for her.

It is then that you can tell that she starts to bond with Elizabeth. Unfortunately, Steven (Harold Ramis), the man who she lives with, doesn’t agree with this situation and leaves. Eventually, J.C. finds herself paying more attention to Elizabeth than with work which does not make her boss (Sam Wanamaker) too happy. He decides to lower J.C.’s status in the company and promotes Ken (James Spader) to her status. J.C. decides that she should move. Also, the transformation Diane makes from full-time worker to full-time mom is great. I do believe that Diane Keaton show her maternal side in this film. She is so natural with children.

What happens next is so sweet. She moves to this Vermont home where everything you can think of goes wrong, she gets “yupped” and “noped” by everyone there, and basically goes crazy and vows she will go back to New York. But then she meets Dr. Cooper (Sam Shepard) and everything slowly changes for her. As a romance begins, so does another career move for J.C. She invents ‘Gormet Baby Food’ which the Food Chain, where she used to work, wants to buy.

The ending is wonderful. I loved it. I’m not going to give that away…If you want to know the ending, rent the movie. You won’t be disappointed!

Cast

  • Diane Keaton — J.C. Wiatt
  • Sam Shepard — Dr. Jeff Cooper
  • Harold Ramis — Steven Buchner
  • Sam Wanamaker — Fritz Curtis
  • James Spader — Ken Arrenberg
  • Pat Hingle — Hughes Larrabee
  • Britt Leach — Verne Boone
  • Linda Ellerbee — Narrator
  • Kim Sebastian — Robin
  • Mary Gross — Charlotte Elkman

Three Men and a Baby

Friday, February 27th, 2009
Movies Online

Three Men and a Baby is a 1987 comedy film starring Tom Selleck, Steve Guttenberg, and Ted Danson, and directed by Leonard Nimoy, in his first non-Star Trek movie directorial role. It follows the mishaps and adventures of three bachelors as they attempt to adapt their lives to pseudo-fatherhood with the arrival of one of the men’s love child. The script for the film was based on the 1985 French movie Trois hommes et un couffin (Three Men and a Cradle).

Three Men and a Baby was the biggest box office hit of that year, surpassing Fatal Attraction and eventually grossing US$167 million in the United States alone. The movie won the 1988 ASCAP award and the 1988 People’s Choice Award for Favorite Comedy Motion Picture. It was followed by the 1990 sequel, Three Men and a Little Lady.

Production

The eponymous baby was played by twins Lisa Blair and Michelle Blair.

The soundtrack included the Peter Cetera song “Daddy’s Girl”, which was used for the movie’s big music montage sequence.

Urban legend

In the final cut of the movie, there is a scene, just over an hour into the film, in which Jack Holden (Ted Danson) and his mother (Celeste Holm) walk through the house with the baby. As they do so, they pass a background window on the lefthand side of the screen, and a black outline that appears to resemble a rifle pointed down can be seen behind the curtains. As the characters walk back past the window 40 seconds later, a human figure can be seen in that window. A persistent urban legend began circulating August 1990 (shortly before the film’s sequel, Three Men and a Little Lady, premiered) that this was the ghost of a boy who had been killed in the house where the movie was filmed. The most common version of this rumor was that a nine-year-old boy committed suicide with a shotgun there, which is inspired by the earlier shape. This notion was discussed on the first episode of TV Land: Myths and Legends in January 2007 and was referenced on an episode of Family Guy, and in “Hollywood Babylon“, a second season episode of the TV series Supernatural. A variation of the legend states that the ghost was Eric Clapton’s son Conor, who died of a fall from a 53rd story window in 1991, over three years after the movie was released. The variation states that Clapton allowed the movie to be filmed in his New York City condominium.

However, according to Snopes.com, a website dedicated to investigating urban legends, the figure is a cardboard cutout “standee” of Jack, wearing a tuxedo and top hat, that was left on the set. This prop was created as part of the storyline, in which Jack, an actor, appears in a dog food commercial, but this portion of the story was cut from the final version of the film. The standee does show up later in the film, however, when Jack stands next to it as the baby’s mother comes to reclaim her child. Snopes contends that the figure in the first scene looks smaller from its appearance in the latter scene because of the distance and angle of the shot, and because the curtains obscure its outstretched arms. As for the contention that a boy died in the house, all the indoor scenes in the film were shot on a Toronto soundstage, and no residential dwellings were used for interior filming.

Raising Arizona

Friday, February 27th, 2009
Movies Online

Raising Arizona is a 1987 Coen Brothers comedy film starring Nicolas Cage, Holly Hunter, William Forsythe, John Goodman, Frances McDormand and Randall “Tex” Cobb. Not a blockbuster at the time of its release, it has since achieved the status of a cult film. Typical Coen Brothers fare, the movie is replete with symbolism, visual gags, yodeling folk music, unconventional characters, flamboyant camera work, pathos and idiosyncratic dialogue. The movie ranked number 31 on the American Film Institute’s 100 Years… 100 Laughs and number 45 on Bravo’s “100 Funniest Movies.”

Production

The police station scenes were filmed at the Tempe, Arizona police station on 5th Street next to Sun Devil Stadium on the Arizona State University campus, while the family picnic where H.I. punches Glen was filmed at the Lost Dutchman State Park in Apache Junction, Arizona.

The baby on the movie’s international poster is Max Bemis who, years later became a founding member and the lead singer of the band Say Anything. His father designed the poster and used him as a model.

Cast

  • Nicolas Cage as Herbert “H.I.”/”Hi” McDunnough
  • Holly Hunter as Edwina “Ed” McDunnough
  • John Goodman as Gale Snoats
  • William Forsythe as Evelle Snoats
  • Frances McDormand as Dot
  • Randall ‘Tex’ Cobb as Leonard Smalls (The Lone Biker of the Apocalypse)
  • Trey Wilson as Nathan Arizona Sr.
  • Sam McMurray as Glen
  • T.J. Kuhn as Nathan Arizona Jr.
  • Lynne Dumin Kitei as Florence Arizona
  • Warren Keith as Younger FBI Agent
  • Henry M. Kendrick as Older FBI Agent
  • Keith Jandacek as Whitey, Convenience Store Clerk