She’s Having a Baby

February 28th, 2009
Movies Online

This is one of those movies that is a collection of both wonderful and lousy elements, but the good ultimately overwhelms the bad. The basic story of a young married couple is a heartfelt winner with laughs and real-life truth aplenty. The chemistry between Jake (Kevin Bacon) and Kristi (Elizabeth McGovern) is amazing, and the terrific soundtrack adds to the movie at every turn.

Unfortunately, the writing is uneven and often clumsy. Throughout the movie, Jake is confused about what he wants out of life, yet the viewer is left confused, too. Jake’s longing for “something else” in life is left so undefined that the viewer can’t really relate to his angst. Jake’s narration continually refers to life “closing in on him” and such, yet it appears things are going fairly well for him, so why the heartburn? One keeps waiting for a big scene where Jake is finally able to enunciate what his problem is, but it never happens.

The worst element of the film by far is the character of Davis (Alec Baldwin), Jake’s best friend from high school. Jake is immature, but basically a nice guy. But Davis is portrayed as such an unredeemable jerk (Baldwin basically just had to be himself here) that it is nearly impossible to ever see how these two could have ever stood to be around each other, much less have the brother-like relationship it is claimed they have. He shows up in three scenes, and he’s a bigger jerk each time. During his third scene, he convinces Kristi to give him a “goodnight kiss” (totally unbelievable), only to be rebuffed when he tries to take things further. After spurning his advances, Kristi informs him that she won’t tell Jake about the matter because “you have your good points.” Really? Which ones?

While the film is highly cynical toward marriage and family in many ways — bickering parents, prying parents-in-law, squaresville suburbs inhabited by men obsessed with their lawn mowers, etc. — it in the end affirms the marital relationship by showing its redeeming power in the lives of Kristi and Jake. Funny, poignant, and well-acted, this movie will stay with you for years after viewing it.

Unlike romantic comedies that show how a couple formed then leaves you there in the puppy-love bliss uncertain of how things turn out long-term, this movie explores what happens after the lifetime vows are made. When it’s over, there is no doubt in the viewer’s mind that this is a union which will stand the test of time. In this day and age, that is something worth cheering for.

Cast

  • Kevin Bacon – Jefferson ‘Jake’ Edward Briggs
  • Elizabeth McGovern – Kristen ‘Kristy’ Briggs
  • Alec Baldwin – Davis McDonald
  • William Windom – Russ Bainbridge
  • Holland Taylor – Sarah Briggs
  • Cathryn Damon – Gayle Bainbridge
  • John Ashton – Ken

Parenthood

February 28th, 2009
Movies Online

This has always been a favorite movie of mine, though I can’t point to a particular reason why. It’s a star-studded “sleeper” film, a quiet film, filled with hilarious comedy and family dysfunction. Frank Buckman (the fantastic Jason Robards) and Marilyn Buckman (Eileen Ryan, mother to Sean and Chris Penn) are the patriarch and matriarch of the Buckman clan. They have four adult children; Gil Buckman (Steve Martin), Helen Buckman-Lampkin (amazing Diane Wiest), Susan Buckman-Huffner (Harley Jane Kozak) and youngest Larry Buckman (Tom Hulce). Living with Frank and Marilyn is Grandma (my favorite character, played by Helen Shaw).

Gil is married to Karen (Mary Steenburgen) and they have three children, Kevin, Taylor, and Justin. Kevin has emotional problems and the school wants to put him in special ed. Justin, only three, likes to butt things with his head. Gil is an uptight businessman who thinks his father was a bad father and worries that Kevin is just like him.

Helen Buckman is divorced with two children, teenager Julie (Martha Plimpton) and young Gary (a very young Joaquin Phoenix). Julie is in love with Tod (a young Keanu Reeves) whom Helen disapproves of, and Gary is withdrawn, always walking around with a paper bag. Their father has started a new life and is totally uninvolved with the family.

Susan Buckman-Huffner is married to Nathan Huffner (the great Rick Moranis), and they have one daughter, three year old Patti. Nathan is raising Patti as a genius daughter, educating her in math, foreign language, great literature, etc. Susan once agreed with Nathan on how to raise children, but she worries that Patti isn’t socialized and also wants another baby.

Larry Buckman, the youngest, is an addicted gambler. He’s always got get-rich-quick schemes running, but passes himself off to his father as a real go-getter. He arrives home and to the surprise of everyone brings a young child with him, named Cool, which he just found out was his son only a few months ago. But Larry has stepped over the line and has loan sharks chasing him, threatening to kill him if he doesn’t come up with their money.

From the very beginning of the movie the family dysfunction is obvious. Each family has their own problems they have to deal with. It’s the realistic problems and the realistic way they are dealt with that makes the movie interesting. The acting is superb, and director Ron Howard does a perfect job. This quiet, character-driven comedy is nonetheless a roller coaster ride of emotion that never slows down. Though not action or adventure, it manages to be a riveting film that captures your attention and holds onto it. Throughout it all, the entire family manages to maintain their love for everyone, and the movie culminates in a rather sappy but appropriate ending.

Baby Boom

February 28th, 2009
Movies Online

Diane Keaton shines in this wonderful comedy about a working woman who inherits a baby from a cousin she “hasn’t seen since 1954.” Keaton portrays J.C. Wiatt, a Management Consultant who never stops working. Then she finds out that her cousin, in his will, left her his baby daughter Elizabeth (played by Michelle and Christine Kennedy, who are too cute!) to care for. At first, J.C. does not want to have anything to do with having a baby. She’s too wrapped up in work. The turning point to me is when Elizabeth gets sick and J.C. has to care for her.

It is then that you can tell that she starts to bond with Elizabeth. Unfortunately, Steven (Harold Ramis), the man who she lives with, doesn’t agree with this situation and leaves. Eventually, J.C. finds herself paying more attention to Elizabeth than with work which does not make her boss (Sam Wanamaker) too happy. He decides to lower J.C.’s status in the company and promotes Ken (James Spader) to her status. J.C. decides that she should move. Also, the transformation Diane makes from full-time worker to full-time mom is great. I do believe that Diane Keaton show her maternal side in this film. She is so natural with children.

What happens next is so sweet. She moves to this Vermont home where everything you can think of goes wrong, she gets “yupped” and “noped” by everyone there, and basically goes crazy and vows she will go back to New York. But then she meets Dr. Cooper (Sam Shepard) and everything slowly changes for her. As a romance begins, so does another career move for J.C. She invents ‘Gormet Baby Food’ which the Food Chain, where she used to work, wants to buy.

The ending is wonderful. I loved it. I’m not going to give that away…If you want to know the ending, rent the movie. You won’t be disappointed!

Cast

  • Diane Keaton — J.C. Wiatt
  • Sam Shepard — Dr. Jeff Cooper
  • Harold Ramis — Steven Buchner
  • Sam Wanamaker — Fritz Curtis
  • James Spader — Ken Arrenberg
  • Pat Hingle — Hughes Larrabee
  • Britt Leach — Verne Boone
  • Linda Ellerbee — Narrator
  • Kim Sebastian — Robin
  • Mary Gross — Charlotte Elkman

Baby Mama

February 28th, 2009
Movies Online

Tina Fey and Amy Poehler are a match made in heaven. While SNL was going through an unbearably long comedic drought with the likes of Jimmy Fallon and Horatio Sanz unjustifiably stealing the limelight, it was Fey and Poehler’s “fake” news that made the show tolerable. Now, with a solid and very funny show (NBC’s 30 Rock) under her belt and having already written for movies before (Mean Girls) it seems only natural that Fey steps out into a leading role that can showcase her sharp, intelligent humor. And teamed with Poehler’s wild and energetic goofball slapstick, the two are undeniably funny and share great chemistry.

The story is about Kate Holbrook, an upwardly mobile business executive for a health food store based in Philadelphia (and run by a pompous new-agey hippie type, played by comedian Steve Martin). After years of successfully nuturing her career, Kate suddenly realizes one day that she would love to nuture something else…a baby. With repeated failed attempts at pregnancy and her doctor’s assessment that she is incapable of becoming pregnant, Kate decides to go the route of surrogacy via an agency run by the extremely fertile, Chaffee Bicknell (the wickedly funny Sigourney Weaver in a small but hilarious role!).

Enter Angie Ostrowiski, a less-than-desirable prospect who decides that she will carry a baby for Kate for a large chunk of money. The story then focuses on the two women’s relationship as the pregnancy progresses and the very different lifestyles they lead. This is when the two comediennes can really play off each other. I do agree with one reviewer, however, that states that the movie was a little overly “mushy” in parts. I would have liked to seen a little more of Fey’s cynical/dry humor but overall the film is enjoyable with a good cast. Also, the movie is peppered with funny cast members of SNL, past and present!

This is a respectable first outing for two of SNL’s funniest ladies. While it is by no means perfect, it is still a good comedy about an issue that affects women and couples today—the desire to have a child. I look foward to future pairings of Fey and Poehler on the big screen. Recommended for some good laughs!

Cast

  • Tina Fey as Kate Holbrook
  • Amy Poehler as Angela “Angie” Ostrowiski
  • Greg Kinnear as Rob Ackerman
  • Romany Malco as Oscar Priyan
  • Dax Shepard as Carl Loomis
  • Maura Tierney as Caroline Holbrook
  • Steve Martin as Barry
  • Sigourney Weaver as Chaffee Bicknell
  • Holland Taylor as Rose Holbrook
  • Siobhan Fallon Hogan as Birthing Teacher

3 Godfathers

February 28th, 2009
Movies Online

I’m giving this four stars instead of five simply because five stars is reserved for true masterpieces – for films virtually without flaw. This film is flawed, but oh so wonderfully lovable. I won’t bother to retell the plot, as others have already done a better job than I can, but I will just say what I love about it.

The performances: Pedro Armendariz & Harry Carey Jr. are wonderful. I think of the scene where Pedro steels his resolve and heads into the tattered covered wagon to help deliver Mildred Natwick’s child; his face reveals a wonderful mixture of dread, awe, responsibility, resolve, strength, determination… And John Wayne is at his irascible, lovable best – at turns impatient and scolding, tender and understanding – truly avuncular. He is clearly the leader of the group, and being 6’4″ of John Wayne, he commands (and gets!) most of our attention, but never in a way that diminishes the other two men or moves them too far into the background. The relationship between the three characters is wonderfully drawn and complementary; obviously they all had great chemistry together.

The story: The desert is a harsh and unforgiving place, but this film shows that even in the desert you can find redemption. Robert Hightower’s soul is in a spiritual desert and it is for this reason that he must be the one to bring the baby to New Jerusalem. He has to find his own redemption and his own peace walking with God, which the other two men already seem to have. I know some may not share in the Christian faith that John Ford obviously had and thus may find the symbolism in this film heavy-handed, but I for one think it lent a great deal of emotional depth. Every soul is longing for something more, and for something greater than itself, and though I know little about Ford as a person, it seems to me that he knew this something more can only be found in Christ. There is so much more I could say about the symbolism in this film – the water, for example, that the men are constantly craving and aching for – think of the Samaritan woman at the well in the Bible and what Jesus tells her (John 4). This is a highly spiritual film!

It is also at times highly comic. The funniest part, and one I could watch over and over again, is when the men are puzzling over what to do with their godson. Just the sight of John Wayne holding the tiny infant in his huge hands is downright sweet and endearing. Then the Kid pulls out Doc Meecham’s book of baby advice, advice that prompts JW to say he wouldn’t trust a “sick polecat” to the good doctor’s care. One of the things the doctor suggests is rubbing the baby down with olive oil or clean lard. Pedro finds some axle grease, and the next thing we see is Wayne’s huge hand dipping into the yellow grease and “greazing” the tiny baby’s body, a sight that strikes the characters as funny as it strikes us. But it’s much better seen than described so I will leave off. Suffice it to say that this is a highly enjoyable film that moves easily between sad & funny moments, and one I will be turning to often.

Three Men and a Baby

February 27th, 2009
Movies Online

Three Men and a Baby is a 1987 comedy film starring Tom Selleck, Steve Guttenberg, and Ted Danson, and directed by Leonard Nimoy, in his first non-Star Trek movie directorial role. It follows the mishaps and adventures of three bachelors as they attempt to adapt their lives to pseudo-fatherhood with the arrival of one of the men’s love child. The script for the film was based on the 1985 French movie Trois hommes et un couffin (Three Men and a Cradle).

Three Men and a Baby was the biggest box office hit of that year, surpassing Fatal Attraction and eventually grossing US$167 million in the United States alone. The movie won the 1988 ASCAP award and the 1988 People’s Choice Award for Favorite Comedy Motion Picture. It was followed by the 1990 sequel, Three Men and a Little Lady.

Production

The eponymous baby was played by twins Lisa Blair and Michelle Blair.

The soundtrack included the Peter Cetera song “Daddy’s Girl”, which was used for the movie’s big music montage sequence.

Urban legend

In the final cut of the movie, there is a scene, just over an hour into the film, in which Jack Holden (Ted Danson) and his mother (Celeste Holm) walk through the house with the baby. As they do so, they pass a background window on the lefthand side of the screen, and a black outline that appears to resemble a rifle pointed down can be seen behind the curtains. As the characters walk back past the window 40 seconds later, a human figure can be seen in that window. A persistent urban legend began circulating August 1990 (shortly before the film’s sequel, Three Men and a Little Lady, premiered) that this was the ghost of a boy who had been killed in the house where the movie was filmed. The most common version of this rumor was that a nine-year-old boy committed suicide with a shotgun there, which is inspired by the earlier shape. This notion was discussed on the first episode of TV Land: Myths and Legends in January 2007 and was referenced on an episode of Family Guy, and in “Hollywood Babylon“, a second season episode of the TV series Supernatural. A variation of the legend states that the ghost was Eric Clapton’s son Conor, who died of a fall from a 53rd story window in 1991, over three years after the movie was released. The variation states that Clapton allowed the movie to be filmed in his New York City condominium.

However, according to Snopes.com, a website dedicated to investigating urban legends, the figure is a cardboard cutout “standee” of Jack, wearing a tuxedo and top hat, that was left on the set. This prop was created as part of the storyline, in which Jack, an actor, appears in a dog food commercial, but this portion of the story was cut from the final version of the film. The standee does show up later in the film, however, when Jack stands next to it as the baby’s mother comes to reclaim her child. Snopes contends that the figure in the first scene looks smaller from its appearance in the latter scene because of the distance and angle of the shot, and because the curtains obscure its outstretched arms. As for the contention that a boy died in the house, all the indoor scenes in the film were shot on a Toronto soundstage, and no residential dwellings were used for interior filming.

Knocked Up

February 27th, 2009
Movies Online

Knocked Up is a 2007 American comedy film, co-produced, written and directed by Judd Apatow. Starring Seth Rogen, Katherine Heigl, Paul Rudd, and Leslie Mann, the film follows the repercussions of a drunken one night stand between Rogen’s slacker character and Heigl’s just-promoted media personality character that results in an unintended pregnancy. The film was rated a 15 in Britain for strong language, nudity, sex references and drug use.

Production

Several of the major cast members return from previous Judd Apatow projects. Seth Rogen, Martin Starr, Jason Segel and James Franco all starred in the short-lived, cult television series Freaks and Geeks which Apatow produced. From the Apatow-created Undeclared (which also featured Rogen, Segel and Starr) there is Jay Baruchel and Loudon Wainwright III . Paul Feig, who co-created Freaks and Geeks and starred in the Apatow written movie Heavyweights, also makes a brief cameo as the Fantasy Baseball Guy. Steve Carell, who makes a cameo appearance as himself, co-starred alongside Rogen and Rudd in Apatow’s The 40-Year-Old Virgin, as well as appearing in the Apatow-produced Anchorman. Finally, Leslie Mann, who also appeared in The 40-Year-Old Virgin, is married to Apatow and their two daughters play her children in the movie.

Anne Hathaway was originally cast in the role of Alison in the film, but dropped out due to creative reasons that Apatow attributed to her disagreement to plans to use real footage of a woman giving birth. Jennifer Love Hewitt, Mila Kunis, and Kate Bosworth auditioned for the part after Hathaway dropped out but ended up losing to Katherine Heigl

Cast

  • Seth Rogen as Ben Stone
  • Katherine Heigl as Alison Scott
  • Paul Rudd as Pete
  • Leslie Mann as Debbie
  • Jason Segel as Jason
  • Jay Baruchel as Jay
  • Jonah Hill as Jonah
  • Martin Starr as Martin
  • Charlyne Yi as Jodi

Raising Arizona

February 27th, 2009
Movies Online

Raising Arizona is a 1987 Coen Brothers comedy film starring Nicolas Cage, Holly Hunter, William Forsythe, John Goodman, Frances McDormand and Randall “Tex” Cobb. Not a blockbuster at the time of its release, it has since achieved the status of a cult film. Typical Coen Brothers fare, the movie is replete with symbolism, visual gags, yodeling folk music, unconventional characters, flamboyant camera work, pathos and idiosyncratic dialogue. The movie ranked number 31 on the American Film Institute’s 100 Years… 100 Laughs and number 45 on Bravo’s “100 Funniest Movies.”

Production

The police station scenes were filmed at the Tempe, Arizona police station on 5th Street next to Sun Devil Stadium on the Arizona State University campus, while the family picnic where H.I. punches Glen was filmed at the Lost Dutchman State Park in Apache Junction, Arizona.

The baby on the movie’s international poster is Max Bemis who, years later became a founding member and the lead singer of the band Say Anything. His father designed the poster and used him as a model.

Cast

  • Nicolas Cage as Herbert “H.I.”/”Hi” McDunnough
  • Holly Hunter as Edwina “Ed” McDunnough
  • John Goodman as Gale Snoats
  • William Forsythe as Evelle Snoats
  • Frances McDormand as Dot
  • Randall ‘Tex’ Cobb as Leonard Smalls (The Lone Biker of the Apocalypse)
  • Trey Wilson as Nathan Arizona Sr.
  • Sam McMurray as Glen
  • T.J. Kuhn as Nathan Arizona Jr.
  • Lynne Dumin Kitei as Florence Arizona
  • Warren Keith as Younger FBI Agent
  • Henry M. Kendrick as Older FBI Agent
  • Keith Jandacek as Whitey, Convenience Store Clerk